The other mask used as Red Death covered even the lower part of the face. OG’s mask all throughout the musical was big enough to cover the deformed part of his face, giving you an idea how deformed the covered part could be. He left her there and closed the veil that covered the room. When Christine fainted at the sight of the life-sized doll bearing her likeness, OG carried her to his pearly shell-themed bed. When Christine fainted, OG carried her and chose a random flat surface like the boat to let her sleep. The lair was so detailed to the point that it displayed dolls and paintings of Christine just to portray OG’s obsession to his student. Not really organized but decent enough to suggest that it’s a hideout away from any individual that might discover that OG is not really a ghost. The lair was more like a room filled with stuff that OG has collected all throughout his stay under the Paris Opera House. He did not even laugh once the effects were heard from Carlotta. When OG chastised Carlotta for the toad remark, he was shown merely talking to himself waiting for the replaced mouth spray to take effect.
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His laughter echoed on the walls loud enough to make the real audience hear him too. When OG chastised Carlotta for the toad remark, his voice reverberated throughout the opera house loud enough for Carlotta to hear, selling the illusion further that he is a ghost trying to haunt Carlotta and the rest of the audience. It was harsh enough to clog her vocal chords and make her croak.
#The phantom of the opera movie movie#
It humanized OG in a way that the movie showed him swapping surreptitiously Carlotta’s mouth spray with something else. No explanation provided at how OG made her sound like that, supporting the image of OG as someone supernatural enough to cause damage to Carlotta’s voice.Ĭarlotta started croaking like a toad after getting her aide to spray liquid in her mouth as a dry mouth would affect singing. The diva demands went as far as making Monsieur Firmin drink wine from her shoe and making both opera directors join the rest of the aides in carrying her from her dressing room to the stage.Ĭarlotta started croaking like a toad in the middle of her performance in “Il Muto” after OG chastised him for calling Christine a toad. Her vanity is emphasized in the song as well as having more than 2 aides help her get dressed.Ĭarlotta got dressed for her role in “Il Muto” with Monsieur Andre joining her aides in getting her dressed.
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The moment she was shown singing her part in “Prima Donna”, Monsieur Andre was already shown helping her tighten her dress.Ĭarlotta got dressed for her role in “Il Muto” simply by going behind a dressing cover and getting changed right on stage. Furthermore, it was implied that just hours before “Il Muto” was staged, the opera directors are still trying to convince Carlotta to play the role of the Countess. She got dressed in the middle of her part.Ĭarlotta decided to accept the role of the Countess in “Il Muto” after Messieurs Firmin and Andre wooed her with several gifts. But the scene involving the tightening of her girdle supported the anorexic look theory.Ĭarlotta decided to accept the role of the Countess in “Il Muto” upon singing her part in the song “Prima Donna”.
#The phantom of the opera movie driver#
Minnie Driver was very slim for the role. It must have been the cream foundation used. While other live performance versions did not mind casting slimmer actresses for this role (if online trailers would be based), most versions feature a plump Carlotta.Ĭarlotta is very slim to the point of looking anorexic.
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Be forewarned though that this article would contain several spoilers for either version.Ĭarlotta is full-figured.
![the phantom of the opera movie the phantom of the opera movie](https://i.ytimg.com/vi/TguKLHQxmmY/maxresdefault.jpg)
I will go with the obvious choice – the 25th Anniversary Edition of “The Phantom of the Opera”. The challenge that we see though is picking which version of the musical to compare to the movie. We just need to acknowledge some differences, both nuanced and glaring, that are evident in either version. “Phantom of the Opera” musical vs movie adaptation is an interesting focal point of discussion.